To
be honest I really don't remember a lot of the details of the plot of
Nexus. Written by Mike Baron and drawn (mostly) by Steve Rude,
it was one of the earliest of the Direct Market books, originally
published by Capitol in black and white and then quickly moving to
First Publications and full color. I tapped into Nexus early,
with the black and white issues (picked up at Eide's on one of my
earliest ventures into the city to find a comics shop, if memory
serves).
To
summarize; Horatio Hellpop, also known as Nexus, has terrible dreams
about mass murderers, dreams that he is compelled to act upon.
Wielding tremendous “fusion casting” powers Nexus tracks these
genocidal villains across the universe and kills them. He is
essentially an assassin, and though his victims are all guilty of
horrendous crimes (sort of like Dexter with superpowers), the tragedy
of Nexus is that with each victim he takes a step closer to being a
mass murderer himself.
I
still think of it as one of my favorite books from that time, but
recently, in preparation for writing this post, I flipped through a
lot of the early issues and the rest of the run and was surprised at
how little of it looked familiar. The characters were all well-known
to me and as I browsed most of their primary relationships came back.
But the stories, the specifics of the ongoing plot remained vague.
While
the basic idea of Nexus killing killers provides a structure for the
stories, that's not really what the book was about. It was a story
about relationships, religion, politics, and societal pressures. It
was about free will and moral ambiguity. Though the basic premise of
the series was dark, the book was also a tremendous amount of fun. In
this way, unlike so many comics that focus on dark themes, Nexus
embraced the whole spectrum of life. The joy and love and friendship
and laughter that suffused every issue showed the human spirit and
reminded us of what we stood to lose when evil prevails.
Nexus
himself could be a bit of a downer. He did carry a terrible burden
after all, and feared allowing himself to genuinely care. Over the
course of the series the amazing supporting cast humanized him,
bringing out of his self-imposed emotional exile to join life more
fully. Sundra Peale was the love interest, but she was so much more
than that. Sundra had a rich life outside of her relationship with
Horatio, and of the two was the more self aware. She was independent
and confident and self-reliant. Horatio's best friend Dave was
centered and calm. Dave's son Fred, who went by the warrior name of
Judah Maccabee, was loud, brash and hedonistic. There were many, many
more. Baron's skill at presenting richly imagined and thoroughly
complex characters cannot be overstated.
And
then there's the art. I'm just going to say that Steve Rude ranks
among my all time favorite artists. His influences are diverse;
comics artists Jack Kirby, Alex Toth and Russ Manning are the most
obvious, but artists such as Andrew Loomis and Norman Rockwell are
also evident. But Rude takes these influences and makes them his own.
When I first saw Nexus I didn't really put any of this together. The
sheer power of his graphic design was enough.
I love the clean lines. His ability to convey emotion through body language and facial expressions is unparallelled. There is a lithe sense of motion in every action, even when characters are at rest. His use of solid black is fearless. Solid black foregrounds are butted directly against solid black midgrounds and backgrounds, and due to his composition it never flattens out.
I love the clean lines. His ability to convey emotion through body language and facial expressions is unparallelled. There is a lithe sense of motion in every action, even when characters are at rest. His use of solid black is fearless. Solid black foregrounds are butted directly against solid black midgrounds and backgrounds, and due to his composition it never flattens out.
His color work is pretty awesome as well. |
At least some of that came from Rude. The various alien inhabitants of Ylum (Nexus' world, pronounced Eye-Lum) were a mix of the very real and the slightly absurd. The drawings of Dr. Seuss were a huge influence on Rude's designs. It wasn't just background characters either, but many of the central cast. Dave, Judah, Mezz, Tyrone... all of these had an air of whimsy in their design. But that whimsy never undermined the seriousness of their characterization.
I'm pretty sure I haven't done justice to this. Nexus
is a series I would love to turn more people onto, but these days
it's really difficult to do so. The books are simply not readily
available for new readers. The whole series is being collected into
beautiful hardcover editions, but at fifty bucks a pop they are only
for people who are already fans of the series. A trade paperback
edition of the first few issues has been released, but the color
issues were reproduced in black and white, and the strength of Rude's
design was marred by the addition of unnecessary gray tones. Dark
Horse Comics has released the last few Nexus stories over the
years, including a brand new one scheduled to appear in Dark Horse
Presents soon. Dark Horse has been releasing great color omnibus
editions of many of the great books of the 80's at reasonable prices.
Come on, let's see a Nexus Omnibus. Unless the rights are tied up
elsewhere I can't see any reason not to. I would sell the Hell out of
that at Phantom of the Attic.
Nexus is copyright Mike Baron and Steve Rude.
Visit Mike Baron at http://www.bloodyredbaron.com/
Visit Steve Rude at http://steverude.com/
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