The
second story in the Chutz-POW! anthology is actually two stories in
one. Moshe and Malka Baran met in a displaced persons camp in Austria
after World War II. They were married and spent the rest of their
lives together. Though their experiences during the Holocaust were
very different I thought it was important to tell them as one tale,
linking their lives both before and after they met. Given the
complexities of telling two stories in one this ended up as the
longest story in the book at eight pages.
Here's
the first page of their story with art by Marcel (M.L.) Walker.
Moshe
was a partisan resistance fighter. He lived in the forests and swamps
of Poland for two years fighting a guerrilla war against the Nazis.
One of the questions that people seem to ask when trying to
understand how the Holocaust could have happened is, “Why didn't
the Jews fight back?” Historically speaking there are probably lots
of answers to this. Moshe's answer is direct and simple.
“I
fought back!”
Malka
was imprisoned in a labor camp when she was a young teenager. She
spent over three years there, wearing the same clothes, forced to
clean shell casings in a Nazi war factory. She survived until the
camp was liberated. But there is another piece of her story that is
so amazing that it sounds completely unbelievable, though completely
true. It's the focus of the story in the book, so I won't relate it
here in full, but...
Malka
and the other women prisoners kept a small child in their barracks,
hidden from the Nazi guards.
In all of the stories I tried to use the actual words of the Upstanders wherever I could. These were their stories and in most cases their words carried more weight and were more powerful than mine. In the case of Malka this was not only easy, but was also a joy. Malka was a poet and spent much of her life trying to communicate her experience through her art. In her written words and in interviews, both on paper and on video, she was elegant and powerful. For many of the panels in this story I decided to just step out of the way and let her speak.
In all of the stories I tried to use the actual words of the Upstanders wherever I could. These were their stories and in most cases their words carried more weight and were more powerful than mine. In the case of Malka this was not only easy, but was also a joy. Malka was a poet and spent much of her life trying to communicate her experience through her art. In her written words and in interviews, both on paper and on video, she was elegant and powerful. For many of the panels in this story I decided to just step out of the way and let her speak.
The
story was drawn by Marcel Walker and of all my scripts this is the
one that went through the most structural change from the written
page to the final artwork. Wanting to tell both of their stories in
the same piece presented a structural challenge that was unique in
this volume. I essentially wrote Moshe's story, then wrote Malka's.
The question then was how to unite the two. In my thumbnails I played
with having one of them in its entirety, followed by the other, then
uniting them on the last page. I toyed with the idea of alternating
pages, one at a time for each of them.
For
the framing sequence I came up with the idea of the older versions of
them speaking at an event, telling their stories to an audience. This
allowed some leeway in the way the stories were presented.
Marcel
read the scripts and rearranged the information I gave him,
maintaining the stories I wrote but presenting them in a sequential
order I hadn't considered. It made the story stronger (you can read
his process blog about drawing this story HERE).
Marcel
and I added a personal reference to the story.
My
father, Keith Wise, served in the 7th Armored Division in
World War II. He drove a jeep for his company Captain, William Borcherding.
In
Moshe's narrative he relates how, near the end of the War his group
of partisans joined the Russian army. He then recounts how they met
the American Army near the Baltic in the first week of May, 1945. My
father was there, so Marcel drew him into the story.
Dad
has told me stories of meeting the Russians and sharing food and
cigars with them. When I read Moshe's story I remembered those
stories. Now I realize that the chances of Dad and Moshe actually
having met are remote, but it made for a very personal connection for
me that I felt I had to slip into the book.
Marcel Walker writes and draws his own self-published comic book called Hero Corps. You can read more about his work at http://www.marcelwalker.com/
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