Tuesday, September 11, 2012

9/11



This morning on Facebook I saw a lot of posts about September 11, 2001. Of course this is a date that everyone will remember and think about on the anniversary. One of the posts was by my friend Terri. Her son Matthew, who was a baby then, had a homework assignment to interview someone who remembered 9/11. He interviewed his Mom. That resonated with me, because I was at her house in Washington DC that morning.

We all have our stories of that day. Where we were. What we did. How we reacted. This is mine. I don't think I have any great revelations here, or insights. But Terri's post reminded me we now have children who don't remember, and those who were not born yet to whom this is just history and not memory. We should share those stories, not just because we should never forget, but because they help unite us in our humanity.

At the time my friend Fred (whose name regular readers of the blog will recognize as my collaborator of the Grey Legacy comics), was living in an apartment in the house of our mutual friends Terri and Peter in Capitol Hill, about three blocks from the Capitol building. I had driven to DC from Pittsburgh to visit all of them and to see the musician PJ Harvey at the 9:30 Club on the evening of 9/10. She was on tour for her Stories From the City, Stories From the Sea album and played an amazing show. I think that's the night Fred and I walked all the way back home in the middle of the night instead of waiting for a cab.

I had planned to leave early the next day. All of my friends had to go to work, and my car was illegally parked and I wanted to escape the city before getting a ticket. Peter had left for work and Terri had taken Matthew to his daycare, then returned home to get ready for work herself. Fred and I were up, having breakfast and watching one of the morning news shows. I don't remember which one, but at the end of the hour they were planning on interviewing a British man who was the world's foremost “Ugly Model.” I don't know why I remember that detail, because we never got to see the interview.

Someone broke into the show with garbled information about a plane having crashed into the World Trade Center. Like everyone, we watched in horror as the story unfolded. I can't remember the exact timing, but Terri had seen the news and came down to Fred's apartment to make sure we knew and were watching. We saw the second plane crash into the tower live.

The one thing I specifically remember Terri saying is, “Do you think the Towers might actually collapse?”

The panic hadn't quite set in yet, and Terri decided to call off work and go pick up Matthew at daycare. Fred decided to go with her, and they have their own stories of traffic and confusion. I went to my car to go home.

The route I took out of DC took me past the Pentagon as I made my way to the George Washington Parkway (not the way I usually went, but I think I made an accidental detour). I was very conscious of the low-flying planes coming and going from Ronald Reagan Airport and Dulles. I made it to the Parkway and onto the Beltway and out of DC with very little difficulty. The second tower was hit at 9:03. The Pentagon was hit at 9:37. I drove past the Pentagon during that short thirty-four minute window.

I drove home. I took Route 68 through Maryland instead of the Pennsylvania Turnpike because I had planned on going to my parents house in Greene County, south of Pittsburgh. Very early in the trip I started to get a migraine, something that happens to me periodically. I'm sure the lack of sleep and stress of the morning contributed. I remember it being a really horrible trip. I made the whole four-plus hour drive without hearing any news. Somewhere along 68 I stopped at a convenience store to use the restroom and buy some painkillers. The entire rest stop was in an uproar. They were talking about blocking off the parking lot and closing down and there was a general air of panic. I didn't catch all of it because my head was killing me, so I did what I needed to do and left.

After the fact I looked at some maps and saw that the rest stop was not very far south of Shanksville, PA.

I arrived at Mom and Dad's in the early afternoon. They weren't home. I immediately turned on the TV and the very first image I saw was the smoking Pentagon. That was really when the first real sense of the enormity of the whole thing hit me. I had just been there. I had just seen the Pentagon. When I heard when this happened I realized how close I had been. That was when it really became real to me. In the next few minutes I saw the film of the collapse of the Towers and Terri's words came back to me. I spent the rest of that day trying, futilely, to reach her and Fred (they were all right).

And that's really it for my story. The rest was shock and mourning, like everyone else. I didn't personally know anyone in the Towers or the Pentagon, or on the planes. I know people who were there. I have a cousin who was in New York. She had an appointment at the World Trade Center later that day, but hadn't left her hotel yet. She was among the people who walked out of town. One of my customers at Phantom of the Attic was on the New York subway and didn't know anything was going on at all until he came up onto the sidewalk in time to see the dust cloud and a collapsing building.

I think it's important to remember. I think it's also important not to let this wound define us. That day, and in the days after, we were united as a nation in our grief. That unity, one based on recognizing our shared humanity, is what I think is most important to remember. The victims of 9/11 were men and women, straight and gay, conservative and liberal, Christian, Jew, Muslim, atheist and all the others. So were the first responders and heroes of that day. All of these differences ceased to matter in the face of catastrophe and death. No one stopped to ask religion or party affiliation. In those terrible moments we were all human first, and the natural reaction to other human beings who were suffering was to help.

That gives me hope. That is what we should remember.

Thursday, September 6, 2012

2 New 5-Star Reviews For Bedivere From Barnes & Noble


 Great story. Can't wait to read book two!



A wonderfully well told story from a perspective that I've never been
exposed to before in Arthurian fiction. The pages and the hours flew
by. This book is worth far more than $2.99. I can't wait for the
next in the series. Get busy, Wayne!

www.barnesandnoble.com

Tuesday, August 21, 2012

Favorite Comics Part Eight: Love & Rockets (Part 1)


Love & Rockets (the comic book, not the band... for those who don't know, the comic came first), is very high on my list of all-time favorite comics, and one of the single most influential on my art style and approach to comics. Like a lot of books from this time period I didn't catch on immediately. My lack of access to a direct sales comics shop was the primary reason for this. It was only through the enthusiastic reviews of a couple of friends of mine who were more adventurous than I that I finally read L&R. I think I read the first four or five issues in one sitting. I've been a confirmed fan ever since.

While it's been on my list of books to write about for this project from the beginning, I have been hesitant to begin. A lot has been written and said about Love & Rockets, and I'm not sure what I have to add to the conversation. L&R by itself is a complex work, and my own reactions to it are complex as well. Trying to find a focus for this article has been difficult.

I have heard Gilbert and Jaime Hernandez, the primary creators of L&R, referred to as “the most important comics creators of their generation.” This is a generation that includes Frank Miller, Alan Moore and a host of other significant writers and artists, so that is a pretty remarkable judgement, and one I don't completely disagree with. It is not just loved by fans, and they tend to be rabid supporters, it is one of the most critically acclaimed comics of the last thirty years.

That wasn't always so. When the first Fantagraphics issue came out in 1982 a reviewer for Amazing Heroes, R.A. Jones, was less than receptive. I'll let his words speak for themselves;



So, Jones seem to think L&R was dated and hopelessly rooted in the past, when what actually happened was that L&R was the vanguard of a new generation of comics creators. While thoroughly immersed in the comics traditions that came before, a much broader spectrum than the Underground Comix Jones refers to, L&R presented a unique outlook and voice that has changed the approach to what comics can be. Rather than a pastiche of a dated past it represented a future not yet fully understood or comprehended.

The reasons I feel this way are mixed in with my experiences of reading the book. But, there are a few things I can say in general. L&R was post-modern. The Brothers Hernandez (and in the earliest days of the book, brother Mario contributed as well), threw everything they knew and loved into their work. Their influences came from the traditional superhero comics, but they seemed to incorporate everything they read: Romance comics, Archie comics, Sci-Fi. Their characters lived in a world where everything that existed in comics existed. The day-to-day lives of the characters were the normal stories of people with jobs and families and relationships, but it was easy to imagine that the Fantastic Four were fighting giant space monsters just over the horizon, that you could run into Betty and Veronica at the local fast food joint, or that the neighbor kid was Dennis the Menace. As a comics fan of their generation who had grown up devouring all of these it was as if the Hernandez Brothers had delineated the world I had always lived in in my head, and somehow it all fit together.

And it wasn't just comics that served as an inspiration. Anything they were fans of made its way into the comic. Monster movies, music, television, and wrestling (particularly the masked luchadore tradition), all went into the mix.

The cover of a police lineup of fantasy figures with a real woman in a housecoat summed this up. It was intriguing and stood out as being something very different than what we had seen on the racks before.





This drawing by Jaime was inspired by the Punk Rock artist Raymond Pettibon and his artwork for the back cover of the Black Flag single Nervous Breakdown.






The Hernandez Brothers were among the first distinctly Hispanic voices in comics. They related that cultural heritage in the form of traditional imagery and folklore handed down to them through older generations as well as through their own urban experience as Hispanic youths in America. Their approach was also multicultural. Though most of the primary point of view characters were of Hispanic origin they were not the only character types present, especially in Jaime's work. The Punk Rock culture of Los Angeles that provided the backdrop for his stories guaranteed that many other races and cultures were represented as well.

It's important to me to redefine the term multicultural for my purposes here. What I mean by Culture in this context goes beyond specific racial or religious backgrounds. I want to expand the definition to include any culture or sub-culture one finds oneself a member of, in this case specifically, Comics as a sub-culture and Punk Rock as a sub-culture (though there are many others included as well). If I were to completely simplify the primary themes of Love & Rockets I would say that it is the continuing story of the attempt to define oneself, within the strictures of the various cultures to which you belong and identify with, and against the expectations they bring with them. A recurring idea is that as characters grow and age, which they do in this series, they often become something they never dreamed of in their youth.



While the cast was large and varied, both Gilbert and Jaime focused on female point-of-view characters, and both managed to create some of the most fully-realized women characters in comics. Their protagonists were real, with a fully human spectrum of emotions, motivations, strengths and flaws. Unlike the standard, idealized superheroine form, the women who populated L&R also showed a full range of body types, and just like real people, their bodies changed over time.

Some of the varied female residents of Palomar.

Maggie Chascarillo at various points in her life.

They were also able to present the reality of human sexuality in ways that always felt real and not exploitive. There were characters who were straight, gay and bi-sexual, transvestites and transsexuals the polyamorous and the chaste. There were characters in committed relationships and those who were promiscuous. Characters were tempted and fell in love and fell in lust. Sex was presented as powerful, life-changing, emotionally messy, romantic, prurient, ridiculous, embarrassing, hysterical and confusing... just like it is for all of us in real life. It was a topic that stood on equal footing with everything else that went on in the characters lives. There are scenes I'm sure some people would view as pornographic (and the book is really not meant for kids, for a variety of reasons), but if L&R is porn, then so is the life of everyone I know.

L&R can be difficult for a new reader to jump into. Like Marvel and DC, at this point the L&R universe has a long history. Reading the latest installment has great meaning for me, but only because I have watched these characters grow for thirty years. They are old friends by now, and I know the back story that has brought them to their current place. If you don't know that back story, it's just events happening to strangers. Even though the series has been collected in various formats over the years it's not as simple as saying “Start at the beginning.” Unfortunately the original format and printing history can make it difficult to follow, though it has gotten better than it used to be.

L&R was originally a magazine-sized black and white comic. It is important to note, for those of you who have never read it, that its contents were never simply one big story. L&R was essentially an anthology featuring separate stories by each of the brothers. Over time both Gilbert and Jaime developed recurring casts that they focused on (loosely speaking, the Palomar stories and the Locas stories, respectively), but they both contributed tales in each issue that had nothing to do with their longer, continuing narratives.

It was obvious in the beginning, like many young creators, that they were experimenting and had not yet found their voices or their style. If you pick up the original issues, or read the original trade paperback collections that presented the issues as they first appeared, the experience can feel a little choppy and unfocused and are likely to make the uninitiated wonder what all the fuss is about.



More recent collections have streamlined the experience, collecting each of the brother's main stories separately.







This is probably the best way to read the best work by both of them, or only the one you're most into, but all of the extra stories, those outside Palomar or Locas, are missing. 




While not as essential, the lack of side characters like Errata Stigmata and the adventures of Rocky and Fumble lessens the overall L&R experience.

Errata Stigmata
That's Rocky and Fumble in the lower right.
The central figure is Cheetah Torpedo.


I'm pretty sure I haven't done justice to the series. It's difficult to talk about just why this book has been so important to me. Part of it, the part that a new reader simply can't experience, is the concurrent growth of the series with my life. These characters have been with me for thirty years now. As the circumstances of my life have changed, as I have grown from a twenty-something to a fifty-something, these characters have gone through similar changes. They feel like old friends, friends with whom I have an investment of time and emotion. I go about my life and they go about theirs, and once a year or so we get together and get caught up, discovering what has happened in the meantime, and learning more about each others journey. To new readers my old friends are simply strangers with an interesting past. For me, they are people I have shared the road with, just like real people in my life. There is a difference between hearing someone's story and feeling like you have shared it.

It's impossible to talk about L&R without considering the contributions of Jaime and Gilbert separately. While both are instrumental to the overall feel of the book, they are, in the end, very different creators. I plan on spending time with both the residents of Gilbert's Palomar and the cast of Jaime's Locas in the next couple of posts, reminiscing with these old friends of mine. I hope I can convey why I love them.

Love and Rockets and all associated characters are copyright by Gilbert and Jaime Hernandez.

Tuesday, August 7, 2012

New 5-Star review for Bedivere

Here's what happens when you don't check your Amazon page for awhile. This is the second review of one of my ebooks I've seen today. I don't even know this reviewer, but thanks!



5.0 out of 5 stars Heartfelt story of a knights memories.August 6, 2012
Amazon Verified Purchase(What's this?)
This review is from: Bedivere Book One: The King's Right Hand (Kindle Edition)
Beautifully written. I stumbled upon this book by accident...or perhaps not. If you were enthralled by Gillian Bradshaw's Hawk, Mary Stewart's Merlin, or Sarah Luddington's Wolf (strong adult content); then Wayne Wise's Griflet will not disappoint (there is a twist to this one folks -- no spoilers here) Will anxiously await the coming books as Sir Bedivere slips his memories through the veil and into the hands of Wayne The Wise.

New Review for Scratch!

In the interest of fairness I want to point out that the reviewer, Laura, is a really good friend of mine that I don't see enough of these days. She is one of my oldest, dearest friends and one of my harshest critics (and I say that in a loving and grateful way).



4.0 out of 5 stars
 
Really enjoyed this book!July 27, 2012
By 
Laura C Lewis (Wyckoff, NJ USA) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Scratch (Kindle Edition)
So I guess I have Mr. Wise to thank for a couple of new bruises... after dropping my Kindle on my face at 1:30 in the morning because I COULDN'T STOP READING! (Hurts a lot more than a paper book, if you're interested...)
As a native of the town upon which Appleton is based, it felt particularly "real." He absolutely captured with 100% accuracy, the cadence of life in that area, the speech, the behaviors, the small-town interconnectedness (not always a good thing, regardless of the opinions of John Cougar Mellencamp) of the citizens of Canaan. I loved the juxtaposition of Gabrielle and Scratch and the implication that one could not exist without the other, the light and the dark, the good and the bad, although I didn't think of Scratch as evil any more than a shark is "evil." It is the nature of the beast, so to speak.
Even the "other bad guy" was fleshed out in such a way that it was possible to see him as a sympathetic character. His fantasy about his future life was very sad.
There are a lot of other things I'd like to address but it would make my review too much of a spoiler.
All in all, it moved along at a snappy pace, was entertaining, thought-provoking and led up to an appropriately apocalyptic finish (a previous reviewer said something about "cinematic," and I have to agree, this book would make a GREAT movie! I'd go see it!!)
All my best to the author. I will definitely be looking forward to his future works!

Favorite Comics Part Eight: Elfquest


I took a lot of crap back in the day for being an Elfquest fan. And make no mistake, I was a fan. A really big fan. Elfquest has been easily dismissed by many comics fans (and I'm going risk sounding sexist by saying primarily male comics fans), as being too cutesy. People tended to see the art style, with the big eyes and the child-like anatomy and protagonists who smiled in wonder a lot and misunderstand what the series was about. Apparently, it appeared girly, or silly, or too pretty at a time when Miller's Daredevil and the Wolverine mini-series were starting the grim-and-gritty ball rolling. As popular as fantasy has been in fiction, as Lord of the Rings has proven, there are still a huge contingent of people who just can't take anything with elves or other fantasy creatures seriously. Weird aliens and Lovecraftian monsters, it seems, are just fine, but dragons and fairies push the bounds of acceptance.

Whatever. Elfquest was so much more than what people assumed.


Monday, July 16, 2012

Alice Cooper: Meeting the Monster


I saw Alice Cooper at Stage AE in Pittsburgh last night. Anyone who knows me knows that Alice has been one of my favorite performers since I was very young. I blogged about my lifelong fandom last summer, the last time I saw Alice. You can read that post HERE.

I've seen Alice more than any other big name musician, and he never disappoints. His live show is an amazing piece of theater, and at forty-plus years into his career Alice is still a vibrant performer with an amazing stage presence. This time was different, though. This time I got to meet him.

I was actually considering skipping the show this year. As much as I know I will have a good time, I had just seen Alice a year ago at the same venue. Things have been pretty busy in my life, so I was putting off buying tickets (knowing full well that I would probably cave on the day of the show and go anyway). But providence stepped in in the form of my friend Abby Krizner. I've known Abby for going on ten years now. She was guitarist and one of three vocalists for local band The Motorpsychos for several years and now fronts Fist Fight inthe Parking Lot. Since I've known her she has also become DJ at The X (WXDX), Pittsburgh's hard rock station. Abby came out to hang out with me on my recent birthday weekend and tucked into a beautiful card with a touching note were two tickets for Alice (the tickets were awesome, obviously, but the note from Abby was beautiful and in the big picture of my life, more important).



So I planned on going. Yesterday around noon I received a phone call from Abby telling me she had managed to get my name on the guest list for the post-concert Meet & Greet! Okay, maybe this is more important than the heartfelt note of friendship. Whatever, I owe Abby big time.

So I went to the show. Alice was awesome, as always. Any specific review of the show I could give would just be repeating myself.

I do want to make a brief detour to mention the opening band. Blue Coupe is comprised of Dennis Dunaway, the original bass player for the Alice Cooper Group back in the 60's, along with Joe and Albert Bouchard, founding members of Blue Oyster Cult. They rocked the place down. They played a lot of new material as well as some BOC classics like Godzilla and Don't Fear the Reaper. They have a new album out. Go to their website and give it a listen.(http://www.bluecoupeband.com/BlueCoupeBand/Welcome.html).

When the show was over we made our way over to the line for the Meet & Greet. It was, of course, mass confusion to begin with. There were several levels of guests to sort out. Some were on the guest list as friends and family of the band. There were winners of radio contests. There were the holders of special, really expensive VIP tickets who got a lot of swag as well as getting to meet Alice. I confirmed I was on the list, got my pass and eventually got in the line I was supposed to be in.



Then we waited. There were a lot of people there, and Alice is gracious enough to do something like this for his fans late at night after putting on a high energy show, so I was fine with the wait. Apparently not everyone feels the same way. A few people showed up really intoxicated. It's an adult show. They sell alcohol there, so of course people are going to drink. But really? You get the chance to meet Alice and you show up too drunk to stand straight? It's no big secret that Alice is a recovering alcoholic, so just out of a little bit of respect for him, this seems like a bad idea. Luckily, the Stage AE staff were all over this. I watched as the Events Coordinator simply peeled their VIP stickers right off their shirts and had them escorted out. No muss, no fuss, taken care of before anything got out of hand. I heard some slurred mutters of “This is total bullshit!” but there was not a scene. Bravo to Stage AE.

Our line finally started moving (and when I say “finally” it had only been a half an hour or less). We moved up a staircase next to the stage and were ushered into a hallway, where we waited again for a short period. Right around then the couple in front of us, who up until this point had been fine, really started bitching.

I tell you what,” she said, “I'm giving them about two more minutes to get this line moving or there's going to be trouble!”

Really? I'm thinking the only trouble is you being escorted out and blowing the whole reason you're here. This event isn't about you. You're not the only person here. And really, even if you won a contest or something, Alice doesn't really owe you anything. He's doing this because he does appreciate his fans. There were a lot of people looking forward to meeting him, and from my perspective, Stage AE did a remarkable job of herding cats and keeping things moving and organized. Sorry this opportunity is taking time out of your precious life. You have an opportunity to meet a music legend, someone you are apparently a fan of, and this half hour inconvenience is enough to make you pissy and snarky?

Well, luckily for everyone I suppose, the line started moving in a couple of minutes and we were spared your scene.

We entered what looked like a small kitchen area that led into another room. From there I caught my first glimpse of Alice. He was shaking hands with everyone and had a photographer there taking pictures, free of charge, to send to our email addresses. They also allowed everyone to take their own pictures.

I wasn't really nervous. I thought I would be. Alice has been on the top of my list of favorite artists for a long, long time. But, I'm not twelve any more, and I've met and/or interviewed a lot of other musicians and big name comics creators over the years. So I didn't feel the nervous butterflies I expected to. I was happy and excited, but not enough to be stupid.

My turn came. Alice shook my hand and immediately commented on my shirt. The image comes from the comic book adaptation of his Last Temptation album, written by Neil Gaiman and illustrated by Michael Zulli. It's a one of a kind t-shirt, made for me by my friend Marc Greisinger. We had a very brief conversation about this, because even with Alice Cooper my conversations revolve around comics. He seemed pleased when I told him my 89-year-old mother had told me earlier in the day to “Make sure to tell Alice I said Hi.” He put an arm around my shoulder, we took a couple of pictures, and then it was over.



I didn't expect more, and I am thrilled to have had this opportunity. Alice was genuinely nice, and for all of the production line nature of the event it didn't seem like he was just going through the motions. I think Alice appreciates his fans and feels a real connection to them. This is his way of giving back to the people who have supported his career. I think he loves his life and loves his fans.

For all of his dark imagery over the years it wasn't Alice who was the monster last night.